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Solo Performance

 

D5 Live Arts Festival

Saint-Julien-Molin-Molette, France

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Tel un papillon de nuit, nous retournons au système / Like moth, we return to the system
June 1, 2025
Approx. 90 min

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A durational solo performance at the D5 Live Arts Festival which brought together dance, sound, and visual artists from several continents. 

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A site-responsive performance drawing and installation responding to the former silk factory, recognizing the moth—sometimes a symbol of transformation—as the oppressed subject of silk production.

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Extended video of excerpts

Group Exhibition

 

Museum of Central Academy of Fine Arts

Beijing, China

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Dancing in the Museum: Body and Choreography in the Museum Field

March 8 - April 21, 2024

Curated by Qiu Zhijie

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Participating Artists: 

Aimar Perez Gali, Andros Zins-Browne, Eva Mag, Tony Orrico, Jerome Bel, Maria Hassabi, Mohan Modisakeng, Senga Nengudi, Trisha Brown, William Forsyth, and Xavier Le Roy

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Works:

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Penwald: 2: 8 circles: 8 gestures (2009-)

Performance at MUAC, Mexico City, MX (2013)

Single-channel color video with sound, RT 21:09

 

Notable Performances:

Penwald: 2: 8 circles

(Flux/S at Strijp-S, Eindhoven, NL) 2010

Penwald: 2: 8 circles: 8 gestures

(Centre Pompidou, Metz, FR) 2013
Penwald: 2: 8 circles: 8 gestures

(MUAC, Mexico City, MX) 2013
Penwald: 2: 8 circles: 8 gestures

(Shoshana Wayne Gallery, Santa Monica, CA. 25 panels) 2011
Penwald: 2: 8 circles: 8 gestures

(LP’11, CCCB, Barcelona, ES) 2011
Penwald: 2: 8 circles: 8 gestures

(National Academy of Sciences, Washington DC) 2010

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Penwald: 4: unison symmetry standing (2010-)

Performance at RISK Scenekunst, Stavanger, Norway (2022)

Single-channel color video with sound, RT (TBD)

 

Notable Performances:

Penwald: 4: unison symmetry standing

(Cranbrook Art Museum, Bloomfield Hills, MI) 2013

Penwald: 4: unison symmetry standing

(Helium Space, Chicago, IL) 2013

Penwald: 4: unison symmetry standing

(RISK Scenekunst, Stavanger, Norway) 2022

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CROSSWAKE

 Installation (2021)

Single-channel color video with sound, RT 31:39

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Exhibition Tour

Dancing the museum

Contributing Artist

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DIE NO DIE (The HighLine) by Matty Davis​

Along the NYC High Line (Gansevoort Street to Spur at 30th Street)

April 30, May 1 & May 2, 2024 5:00-6:30p​

Approx. 50 minutes

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Co-commissioned by

High Line Art and Frieze New York

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Presenting Artists: 

Matty Davis, Chloé Cooper Jones, Nile Harris, Taylor Knight and Anna Thompson, Tony Orrico, Bryan Saner

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​Orrico set their solo choreography from first two renditions of Die No Die on the project creator, Matty Davis. An exhibition of the entire project, including images from Die No Die (Iowa City), spanned a 1000 square-foot wall at the entry of The Shed during the Frieze New York art fair. A 192-page, full-color publication of the project accompanied the performance and exhibition (ed. 1000).

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Publication

DND HighLine

Solo Exhibition

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Galería La Cometa

Madrid, Spain​

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Tony Orrico: Fit Into the Imprint​

May 11 - June 29, 2024


The exhibition, is Orrico's first show in Madrid, and is a brief compendium of three of his most emblematic series of work: Textiles, where he investigates the notion of a mental loom, creating tessellations from phrases derived from personal memories, handwritten in an ambidextrous and mirrored way, generating changing patterns that become a kind of mental trails; Penwald Drawings, a series of performative works that explore the symmetry and balance of the cerebral hemispheres, investigating the idea of reflection and bifurcation; Hand Movie, is a video work that pays tribute to Yvonne Reiner, an artist who has deeply influenced Orrico’s work. This is a multiplied and expanded reinterpretation of Reiner’s original work from 1966, where Orrico investigates the autonomy and agency of the hand in relation to the rest of the body and memory.


The conjunction of these works leads us to critically reflect on the interaction between the body, memory, oblivion and the construction of identities. The movement freezes in the lines of the drawing, which becomes a witness to the inquires of the artist’s memory. Like graphic cross-sections of a map of neural connections, mental concepts spread across the paper; They arrive, deviate, mutate and then stop in time.

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Works:

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Accelerated Image: Yvonne Rainer's Hand Movie (1966), 2014

Single-channel video, 12:00

Ed. ⅛

 

Standing Knobby Starfish, 2015

Sri Lankan graphite, starfish

15 x 11 x 6 inches (38.1 x 27.94 x 15.24 cm)

 

Penwald: 19: circle back to knees (La Cometa Madrid, ES) 2024

Performance, graphite on paper

Approx. 15 min 

152.4 x 152.4 cm (60 x 60 inches)

 

Alluviated Listening 2, 2024

Shungite rock, graphite powder

Variable diemnsions

 

Textile: READ THE ROOM, 2024

Textile: DON'T FORCE A DAUGHTER, 2024

Graphite on paper

111.76 x 76.2 cm (44 x 30 inches)

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​Textile: CONVERSATIONAL BEND, 2023

Textile: OSCILLATING BETWEEN METAPHORS, 2023 ​

Textile: LIP SKIN PEEL, 2023

Textile: I LOVE YOU THE WAY YOU ARE CHANGING, 2023

Textile: FIT INTO THE IMPRINT, 2023

Textile: SCAM ARTIST, 2023

Textile: OMNIPRESENT FRAMER, 2023

Textile: LOOKING FOR THE EXIT, 2023​

Graphite on paper

111.76 x 76.2 cm (44 x 30 inches

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Live performance during opening

fit in to the imprint

Design

 

Links Hall

Chicago, IL​

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RIGHT HERE by Melinda Jean Myers
May 4 - 5, 2024

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Concept and Direction: Melinda Jean Myers

Presenter: Lucky Plush Productions

Composer and Musician: Lex Leto

Set Design: Tony Orrico

Devised in Collaboration and Performance: Kara Brody, Kim Goldman, Isabella Limosnero, Jacinda Ratcliffe, Melinda Jean Myers, Meghann Wilkinson​

 

Created in collaboration with Lucky Plush ensemble members and composer/musician Lex Leto, this dance-theater work explores how the body holds opposing states of motivation and apathy, abundance and loss, and hope and despair during a climate crisis. Through visual storytelling and shared choreographies, the ensemble seeks a roadmap for greater awareness and collective action. 

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